Name of File 4497-04-11.pdf cached at 15/12/2017 20:04:00 - with 2 pages. pdfPath: E:\k9.istructe.org\CMS\webtest\files\5a\5a8baff7-9f56-4c2c-b5b3-83aaf8fbda2f.pdf. thumbPath: E:\k9.istructe.org\CMS\webtest\files\pdfthumbs\5a8baff7-9f56-4c2c-b5b3-83aaf8fbda2f_1.png. objDoc: 1 - True. objPreview.Log: . strFileName: 5a8baff7-9f56-4c2c-b5b3-83aaf8fbda2f_1.png

Members/subscribers must be logged in to view this article

The President

To paint a picture with a brush is difficult enough in all conscience: but it has this advantage, that if the subject does not like it, he can destroy it. Again, if the artist is in difficulty he has but to purchase and copy a good photograph-and, as is well known, the camera cannot lie. But to paint a picture with a pen, and one of a living personality, can be and generally is a task of some trouble. Ruskin complicates the matter with his didactic truism that “nothing is beautiful which is not true,” but goes on to render it a iittle easier by saying that "all really great pictures exhibit the general habits . . . manifested in some peculiar, rare and beautiful way.” A pen picture is at a great disadvantage as compared with the painted because the subject of it cannnot decapitate it in the approved mode, and may turn his head-hunting proclivity in the direction of the author.