2025 Structural Award winner: The Tekαkαpimək Contact Station

Author: Atelier One

Date published

17 December 2025

Price
Free
The Institution of Structural Engineers The Institution of Structural Engineers
2025 Structural Award winner: The Tekαkαpimək Contact Station
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2025 Structural Award winner: The Tekαkαpimək Contact Station

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Author

Atelier One

Date published

17 December 2025

Author

Atelier One

Price

Free

The Tekαkαpimək Contact Station has been named a Winner of the 2025 Structural Awards, with our award citing regenerative design using indigenous knowledge, materials, and construction techniques for maximum social impact. In this blog Atelier One partners share what winning a Structural Award means to them.

The Tekαkαpimək Contact Station
 

We feel the Structural Awards are particularly meaningful as they acknowledge both sustainability and structural design across a broad range of project types. Our project, located on Lookout Mountain within the Katahdin Woods and Waters National Monument in northern Maine, USA, stands as a testament to what structural engineering can achieve when guided by deeply held cultural values and environmental constraints.

The collaboration with Saunders Architecture and the entire design team was immensely rewarding, giving us the opportunity to develop ideas in response to a truly fascinating and unique brief.

 

Structure rooted in place and story


The 735-square-metre, off-grid visitor centre is much more than a building; it is a cultural statement. Its name, Tekαkαpimək, translates to “as far as one can see” in the Penobscot language. From its orientation to its internal design, the entire structure was shaped through deep collaboration with representatives of the Wabanaki Confederacy, which includes the Maliseet, Mi’kmaq, Passamaquoddy, and Penobscot Nations. This process ensures the building honours the 11,000 years of cultural knowledge, stewardship, and story connected to the land.

Our structural philosophy was founded on the idea of integration: that structure, furniture, and finish could be unified. The building’s deep walls define the architectural space, housing exhibits, seating, and niches, while simultaneously forming the core structural system capable of resisting substantial wind and snow loads.
 

 

The challenge of context: remote, sensitive, and seasonal
 

The site itself presented one of the project's most significant challenges. It is remote, ecologically sensitive, and inaccessible for much of the year due to heavy snowfalls and harsh winters. This meant construction had to be carefully staged over three years, with the utmost priority given to minimising environmental impact and using the land with care.

These constraints immediately dictated that we reject conventional, complex, globally-sourced solutions. Instead, we were tasked with developing a structural system that could be delivered entirely using local materials, skills, and fabrication facilities. This local-first ethos was fundamental to the spirit of the project.

Furthermore, the building needed to be fully self-sufficient. It operates entirely off-grid, relying on a 36.75kW photovoltaic array and lithium-ion battery storage. The structural design supported this environmental goal by creating a high-mass thermal envelope capable of passively modulating temperature extremes in the region, leading to near-zero operational carbon emissions. This approach strongly supports key UN Sustainable Development Goals, including Climate Action and Responsible Consumption (SDGs 13 and 12).
 

Innovation from simplicity: the 4x2” plank

To meet the architectural vision while adhering to rigorous local, responsible sourcing requirements, we embarked on an intensive material selection and testing process. After consulting local sawmills, we identified Select Structural grade Douglas Fir as the most suitable material due to its strength, consistency, and local abundance.

Our engineering ingenuity stemmed from setting ourselves a creative constraint: transforming the most standard, cost-efficient, and easily handled building block—the 4x2” Douglas Fir plank—into the refined architectural structure. We explored numerous structural typologies—including stacked assemblies and hollow box sections—validating these ideas through analytical models and extensive discussions with local suppliers and craftspeople.

This exploration led to a simple, yet robust system: we laminated the standard 4x2” planks into 165 custom architectural columns, forming the rigid portal frames. This elegant integration of function, where the columns also serve as interior finish and furniture, significantly reduced material waste and eliminated redundant finishes.
The fabrication itself was a testament to local ingenuity. The custom glulam columns were assembled over nine months in a repurposed potato barn in Patten, Maine, a process refined through mock-ups and collaboration with local tradespeople. The final system was designed for maximum efficiency: precision slots cut into the columns allow the roof trusses to self-locate, making assembly efficient even with basic tools. This pragmatic, place-based approach ensured that the solution was achievable while elevating regional skills.

Furthermore, the project delivers a lasting positive legacy. The construction phase alone injected an estimated $28 million in local economic impact—representing 80% of total expenditure—directly supporting Tribal members, contractors, and artisans across the region. The bespoke nature of the structure fostered the development of new skills and techniques that will continue to benefit the region.

The meaning of IStructE recognition

Receiving this IStructE Award is a validation of the entire team’s dedication to a bold, principled, and regenerative vision. The Judges’ comments highlighted that we placed indigenous knowledge, local materials, and community leadership at the heart of structural design, resulting in a structure profoundly shaped by social purpose and environmental care.

It is incredibly rewarding to have our peers recognise the intense, fundamental creative process we undertook—stripping the design back to the simple 4x2 elements and discovering the wealth of ideas that could emerge. For Atelier One project director, Aran Chadwick, being involved in such a deep cultural and social context was a great privilege.

The Tekαkαpimək Contact Station exemplifies how structural engineering can act as a cultural and environmental bridge, pushing professional practice forward by prioritizing early, location-specific research into local resources and cultural approaches to materiality. It stands as an enduring model for infrastructure that supports both climate resilience and cultural continuity.
 
All Wabanaki Cultural Knowledge and Intellectual Property shared within this project is owned by the Wabanaki Nations.

Read more about the project

Tekαkαpimək Contact Station - The structural story

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