Tibetan Art Museum: one year on

Author: Tongji Architectural Design (Group) Co., Ltd

Date published

14 October 2025

The Institution of Structural Engineers The Institution of Structural Engineers
Tibetan Art Museum: one year on
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Tibetan Art Museum: one year on

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Tongji Architectural Design (Group) Co., Ltd

Date published

14 October 2025

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Tongji Architectural Design (Group) Co., Ltd

Tongji Architectural Design (Group) Co., Ltd (TJAD) won the Supreme Award in 2024 for the Tibetan Art Museum. Here they share what the win meant for them.

Our company Tongji Architectural Design (Group) Co., Ltd (TJAD) has participated in the IStructE Structural Awards for nearly two decades, but this is the first time we have received the Structural Awards Supreme Award, which brings great joy to all my colleagues. It is great recognition for our structural designs in the past decades.

The Tibetan Art Museum is one of the most challenging projects that we have ever encountered. The extreme conditions of Tibetan Plateau, the limited available material choices, and the fragile local environment all contributed to the construction difficulty of the museum. Some of my colleagues have been staying in Lhasa, Tibet for the entire period of construction, away from home.

Yet in the end our hard work paid off, we were so delighted to see an abandoned cement factory transformed into such a beautiful and dedicated art museum that can represent Tibetan culture.

It is an honor to share our engineering experience of this project by means of this prestigious award.  Many thanks to the IStructE organisation.

About the project:

Tibetan Art Museum is located in the west of Lhasa City, Tibet Autonomous Region, China. It is reconstructed from the site of the former Lhasa Cement Factory, which was the first cement factory in Tibet that was built as early as 1960. Demolition and retention work of the former cement factory buildings are made to adapt to the new functions of the art museum.

Individual art museum buildings were transformed from the previous cement production facilities. For example, the Central Hall was reconstructed from a cement storage warehouse, a new office building was transformed from the previous burning kiln tail, the Art Bookstore was converted from cylindrical cement slurry tanks, the Art Fairs was transformed from the previous rectification room.

In the transformation process, we faced multiple challenges in the integration of old and new structures. First, the Tibetan Plateau is the highest plateau in the world (average 3,800 m above sea level). The local ecological environment is fragile, the oxygen in the air is thin, making the transportation of building material and construction process very difficult. Therefore, the original structures were retained as much as possible to save materials and to protect the environment. Second, the site was located in a high-intensity earthquake zone. The original Industrial buildings were designed with earlier standards and had very low concrete strength, thus we had to take certain techniques to improve the seismic resistance capacity of the structural components and to reduce the floor vibration acceleration, protecting the collection of art works.

The Central Hall was rebuilt from a former cement plant, which was designed using earlier standards and had low concrete strengths, the seismic resistance capacity does not meet the current code requirements. In the reconstruction process of the Central Hall, the concrete columns and foundations of the original structure were retained, while the columns were seismically reinforced, and new steel roof trusses were added. Original concrete columns were reinforced with mild-steel seismic dampers, greatly enhancing their seismic resistant capacity of the overall structure. This approach ingeniously utilizes the original factory building structure and reduces the transformation cost.

Fig 2. Comparison of the former cement plant and the transformed Central Hall

The Art Bookstore was transformed from the previous cylindrical cement slurry storage tanks. In the transformation process, openings were made on the outer concrete walls of the cylindrical tanks, forming outer windows and doors where people can enter and exit the reading space.

Pilasters were added at the two sides of the openings to enhance the stability of the wall structure. The remaining walls became curved bookshelves of the Art Bookstore.

Fig. 3 Transformation process of the Art Bookstore


Tibetan Art Museum is the only art museum among the major art museums in China that is transformed from industrial heritage. It integrates building artistry with traditional Tibetan culture, providing an excellent example for future industrial heritage transformation projects.

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